By Ghulam Yazdani; Laurence Binyon
Ajanta; the color and monochrome reproductions of the Ajanta Frescoes in accordance with images, with an explanatory textual content by way of G. Yazdani, and an introd. through Laurence Binyon. released less than the distinctive authority of His Exalted Highness the Nizam.
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Extra resources for Ajanta : monochrome reproductions of the Ajanta frescoes based on photography. Text
T h e third figure o f this group is a woman with a pale com plexion, who white watching the dancer has twisted her finger in a curious way. T h e episode seems to have been continued farther to the right, but, the fresco being damaged, only a fc w figu res can be made out, In the m idd te was a thron e, on! y one foot o f w hi ch can now be traced. N ear the throne is a woman o f red complexion who has elaborate orna ments round her wrist. T h e manner in which she is looking up at the figure on the throne (now destroyed) is extremely sweet.
Nurnsrou* proWotu are presented, which the four fail to toluc* hut tHj Great Being succeed* in imravcllmgrhem, They therefore mate several attempts to denroj the Great Bdiig, hut each lime he sets at naught their plans and comes oat triumphant. Forcomplete version, sec Cowell, op tit^ vi. *56-146. PLATES X X U U Si XXTV-XXVfl hermit, on the other side of the salver,, i& a prince who is touching very gently the forehead of one ofiiJtem.
T h e decoration o f the building with pearl tassels seems to be a favourite and, apart from the frescoes, It is frequently to be found in the carving of the pillars- Pearls must have been quite abundant in thoso days, for the artistic fancy does not "readily work on imaginary themes. 1 The thfii * tight bodice with hilf-derves; die bade is covered and strings sue tied in front. The t&giyJ is so shaped in front as to support the breasts, but mi thdbadt It is open and has only strings for adjustment.
Ajanta : monochrome reproductions of the Ajanta frescoes based on photography. Text by Ghulam Yazdani; Laurence Binyon